The scene of the lake breaks a normal rule of
composition because it is taken at an angle. I think this makes it a much more
active scenery picture than if it was taken straight on because it creates a
lot of diagonal lines. The perspective that the image gives the viewer is that they
are sitting amongst the fallen leaves at the bottom right of the picture in a
canoe at dusk, looking across to the furthest point on the other side of the
lake, where the two triangles, which are formed by the tree line and its reflection,
merge together. The triangle shapes are repeated in the foreground by the fallen
branches and their reflections and contrast with the lighter larger triangles
formed by the sky and its reflection.
This portrait doesn’t follow the normal rules of composition
that would place the subject further back so that there is some space around
them and wouldn’t cut of part of their head. Breaking the rules works in this
photo because the subject’s expression shows that he seems to be observing the
photographer rather than the other way round and so having the subject leaning
in very close to the lens and cropping the top of the head emphasises this
idea. The flick on his hair helps to soften the cropping and the merger of his
hair with the poster on the wall, which is normally against the rules, helps to
give humour to the image. The
perspective of the hallway in the background gives a feeling of depth that
helps the close-up work.